Variations

“My originality (if that is the right word) is, I believe, an originality that belongs to the soil, not the seed. (Perhaps I have no seed of my own.) Sow a seed in my soil and it will grow differently than it would in any other soil.” Wittgenstein, L., 1998. Culture and Value. G. H. von Wright, ed., P. Winch, transl., Oxford: Blackwell, 42e.

I always find myself most fluid in thought—both discursively and musically—when I have a book in hand, a composer’s score in front of me, or a tune in my mind. My creativity is inherently intertextual; it is, in a sense, variational. While originality can take many forms, mine is undoubtedly rooted in another person’s “seed.” I begin to think “originally” only after reading a few lines from a book or recalling ideas I’ve encountered elsewhere. Similarly, my improvisation becomes “original” when I engage with pre-existing materials. In this way, I’ve come to see myself as an intertextual creator. On this page, I aim to celebrate that intertextual or variational creativity, quoting themes or seeds from others and writing (or maybe even performing) variations inspired by them.

Do We Need Music History?

“There is a painting by Klee called Angelus Novus. An angel is depicted there who looks as though he were about to distance himself from something which he is staring at. His eyes are opened wide, his mouth stands open and his wings are outstretched.

July 4, 2023

Musical Abstraction against Life?

“die Musik überhaupt ist die melodie, zu der die Welt der Text ist.” (“Music is the melody to which the world is the text.”) Arthur Schopenhauer, On the Metaphysics of the Beautiful and Aesthetics.

Concert Hall: Imprisonment of Music’s Power

Music has the power to distract you from everyday life so much so that you could put yourself in danger. This is best captured in Odysseus: “Odysseus and the sirens. Book 12 of Homer’s 13 Odyssey emphasizes the overwhelming power of music, both for good and for ill. The sirens—part woman,